02-11-2003, 09:33 AM | #1 | ||
Strategy Moderator
Join Date: Nov 2001
Location: North Carolina
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Oscar nominations: thoughts?
Despite an amazing peformance by Daniel Day-Lewis, there is no way Gangs of New York should be anywhere near the best picture award.
And congrats to Julianne Moore. I hope she wins both supporting and lead actress.
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02-11-2003, 09:40 AM | #2 |
Strategy Moderator
Join Date: Nov 2001
Location: North Carolina
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Leading Actor
Adrien Brody in THE PIANIST (Focus Features) Nicolas Cage in ADAPTATION (Sony Pictures Releasing) Michael Caine in THE QUIET AMERICAN (Miramax and Intermedia) Daniel Day-Lewis in GANGS OF NEW YORK (Miramax) Jack Nicholson in ABOUT SCHMIDT (New Line) Supporting Actor Chris Cooper in ADAPTATION (Sony Pictures Releasing) Ed Harris in THE HOURS (Paramount and Miramax) Paul Newman in ROAD TO PERDITION (DreamWorks and 20th Century Fox) John C. Reilly in CHICAGO (Miramax) Christopher Walken in CATCH ME IF YOU CAN (DreamWorks) Lead Actress Salma Hayek in FRIDA (Miramax) Nicole Kidman in THE HOURS (Paramount and Miramax) Diane Lane in UNFAITHFUL (20th Century Fox) Julianne Moore in FAR FROM HEAVEN (Focus Features) Renée Zellweger in CHICAGO (Miramax) Supporting Actress Kathy Bates in ABOUT SCHMIDT (New Line) Julianne Moore in THE HOURS (Paramount and Miramax) Queen Latifah in CHICAGO (Miramax) Meryl Streep in ADAPTATION (Sony Pictures Releasing) Catherine Zeta-Jones in CHICAGO (Miramax) Animated Feature ICE AGE (20th Century Fox) Chris Wedge LILO & STITCH (Buena Vista) Chris Sanders SPIRIT: STALLION OF THE CIMARRON (DreamWorks) Jeffrey Katzenberg SPIRITED AWAY (Buena Vista) Hayao Miyazaki TREASURE PLANET (Buena Vista) Ron Clements Art Direction CHICAGO (Miramax) Art Direction: John Myhre Set Decoration: Gord Sim FRIDA (Miramax) Art Direction: Felipe Fernandez del Paso Set Decoration: Hannia Robledo GANGS OF NEW YORK (Miramax) Art Direction: Dante Ferretti Set Decoration: Francesca Lo Schiavo THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Art Direction: Grant Major Set Decoration: Dan Hennah and Alan Lee ROAD TO PERDITION (DreamWorks and 20th Century Fox) Art Direction: Dennis Gassner Set Decoration: Nancy Haigh Cinematography CHICAGO (Miramax) Dion Beebe FAR FROM HEAVEN (Focus Features) Edward Lachman GANGS OF NEW YORK (Miramax) Michael Ballhaus THE PIANIST (Focus Features) Pawel Edelman ROAD TO PERDITION (DreamWorks and 20th Century Fox) Conrad L. Hall Costume Design CHICAGO (Miramax) Colleen Atwood FRIDA (Miramax) Julie Weiss GANGS OF NEW YORK (Miramax) Sandy Powell THE HOURS (Paramount and Miramax) Ann Roth THE PIANIST (Focus Features) Anna Sheppard Director CHICAGO (Miramax) Rob Marshall GANGS OF NEW YORK (Miramax) Martin Scorsese THE HOURS (Paramount and Miramax) Stephen Daldry THE PIANIST (Focus Features) Roman Polanski TALK TO HER (Sony Pictures Classics) Pedro Almodóvar Documentary Feature BOWLING FOR COLUMBINE (United Artists and Alliance Atlantis) A Salter Street Films/VIF 2/Dog Eat Dog Films Production Michael Moore and Michael Donovan DAUGHTER FROM DANANG (Balcony Releasing in association with Cowboy Pictures) An Interfaze Educational Production Gail Dolgin and Vincente Franco PRISONER OF PARADISE (Alliance Atlantis) A Média Vérité/Café Production Malcolm Clarke and Stuart Sender SPELLBOUND (THINKFilm) A Blitz/Welch Production Jeffrey Blitz and Sean Welch WINGED MIGRATION (Sony Pictures Classics) A Galatée Films/France 2 Cinéma/France 3 Cinéma/Les Productions de la Guéville/Bac Films/Pandora Film/Les Productions JMH/Wanda Vision/Eyescreen Production Jacques Perrin Documentary - short subject THE COLLECTOR OF BEDFORD STREET An Alice Elliott Production Alice Elliott MIGHTY TIMES: THE LEGACY OF ROSA PARKS A Tell the Truth Pictures Production Robert Hudson and Bobby Houston TWIN TOWERS A Wolf Films/Shape Pictures/Universal/Mopo Entertainment Production Bill Guttentag and Robert David Port WHY CAN'T WE BE A FAMILY AGAIN? A Public Policy Production Roger Weisberg and Murray Nossel Achievement in film editing CHICAGO (Miramax) Martin Walsh GANGS OF NEW YORK (Miramax) Thelma Schoonmaker THE HOURS (Paramount and Miramax) Peter Boyle THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Michael Horton THE PIANIST (Focus Features) Hervé de Luze Best foreign language film of the year EL CRIMEN DEL PADRE AMARO An Alameda Films/BluFilms/Foprocine/Gob. del Estado de Veracruz-Llave Production Mexico HERO A Beijing New Picture Film Company/Elite Group Enterprises Production People's Republic of China THE MAN WITHOUT A PAST A Sputnik Oy/Pandora Film/Pyramide Prods. Production Finland NOWHERE IN AFRICA An MTM Medien & Television München Production Germany ZUS & ZO A Filmprodukties de Luwte Production The Netherlands Achievement in makeup FRIDA (Miramax) John Jackson and Beatrice De Alba THE TIME MACHINE (DreamWorks and Warner Bros.) John M. Elliott, Jr. and Barbara Lorenz Original score CATCH ME IF YOU CAN (DreamWorks) John Williams FAR FROM HEAVEN (Focus Features) Elmer Bernstein FRIDA (Miramax) Elliot Goldenthal THE HOURS (Paramount and Miramax) Philip Glass ROAD TO PERDITION (DreamWorks and 20th Century Fox) Thomas Newman Original song Burn It Blue from FRIDA (Miramax) Music by Elliot Goldenthal Lyric by Julie Taymor Father and Daughter from THE WILD THORNBERRYS MOVIE (Paramount and Nickelodeon Movies) Music and Lyric by Paul Simon The Hands That Built America from GANGS OF NEW YORK (Miramax) Music and Lyric by Bono, The Edge, Adam Clayton and Larry Mullen I Move On from CHICAGO (Miramax) Music by John Kander Lyric by Fred Ebb Lose Yourself from 8 MILE (Universal) Music by Eminem, Jeff Bass and Luis Resto Lyric by Eminem Best motion picture of the year CHICAGO (Miramax) A Producer Circle Co., Zadan/Meron Production Martin Richards, Producer GANGS OF NEW YORK (Miramax) An Alberto Grimaldi Production Alberto Grimaldi and Harvey Weinstein, Producers THE HOURS (Paramount and Miramax) A Scott Rudin/Robert Fox Production Scott Rudin and Robert Fox, Producers THE LORD OF THE RINGS: THE TWO TOWERS (New Line) A New Line Cinema and Wingnut Films Production Barrie M. Osborne, Fran Walsh and Peter Jackson, Producers THE PIANIST (Focus Features) An R.P. Productions, Heritage Films, Studio Babelsberg, Runtime LTD. Production Roman Polanski, Robert Benmussa and Alain Sarde, Producers Best animated short film THE CATHEDRAL A Platige Image Production Tomek Baginski THE CHUBBCHUBBS! (Columbia) A Sony Pictures Imageworks Production Eric Armstrong DAS RAD A Filmakademie Baden-Württemberg GmbH Production Chris Stenner and Heidi Wittlinger MIKE'S NEW CAR (Buena Vista) A Pixar Animation Studios Production Pete Docter and Roger Gould MT. HEAD A Yamamura Animation Production Koji Yamamura Best live action short film FAIT D'HIVER An Another Dimension of an Idea Production Dirk Beliën and Anja Daelemans I'LL WAIT FOR THE NEXT ONE … (J'ATTENDRAI LE SUIVANT …) A La Boîte Production Philippe Orreindy and Thomas Gaudin INJA (DOG) An Australian Film TV & Radio School (AFTRS) Production Steven Pasvolsky and Joe Weatherstone JOHNNY FLYNTON A Red Corner Production Lexi Alexander and Alexander Buono THIS CHARMING MAN (DER ER EN YNDIG MAND) An M&M Productions for Novellefilm Production Martin Strange-Hansen and Mie Andreasen Achievement in sound CHICAGO (Miramax) Michael Minkler, Dominick Tavella and David Lee GANGS OF NEW YORK (Miramax) Tom Fleischman, Eugene Gearty and Ivan Sharrock THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Christopher Boyes, Michael Semanick, Michael Hedges and Hammond Peek ROAD TO PERDITION (DreamWorks and 20th Century Fox) Scott Millan, Bob Beemer and John Patrick Pritchett SPIDER-MAN (Sony Pictures Releasing) Kevin O'Connell, Greg P. Russell and Ed Novick Achievement in sound editing THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Ethan Van der Ryn and Michael Hopkins MINORITY REPORT (20th Century Fox and DreamWorks) Richard Hymns and Gary Rydstrom ROAD TO PERDITION (DreamWorks and 20th Century Fox) Scott A. Hecker Achievement in visual effects THE LORD OF THE RINGS: THE TWO TOWERS (New Line) Jim Rygiel, Joe Letteri, Randall William Cook and Alex Funke SPIDER-MAN (Sony Pictures Releasing) John Dykstra, Scott Stokdyk, Anthony LaMolinara and John Frazier STAR WARS EPISODE II ATTACK OF THE CLONES (20th Century Fox) Rob Coleman, Pablo Helman, John Knoll and Ben Snow Adapted screenplay ABOUT A BOY (Universal) Screenplay by Peter Hedges and Chris Weitz & Paul Weitz ADAPTATION (Sony Pictures Releasing) Screenplay by Charlie Kaufman and Donald Kaufman CHICAGO (Miramax) Screenplay by Bill Condon THE HOURS (Paramount and Miramax) Screenplay by David Hare THE PIANIST (Focus Features) Screenplay by Ronald Harwood Original screenplay FAR FROM HEAVEN (Focus Features) Written by Todd Haynes GANGS OF NEW YORK (Miramax) Screenplay by Jay Cocks and Steve Zaillian and Kenneth Lonergan Story by Jay Cocks MY BIG FAT GREEK WEDDING (IFC/Gold Circle Films) Written by Nia Vardalos TALK TO HER (Sony Pictures Classics) Written by Pedro Almodóvar Y TU MAMÁ TAMBIÉN (IFC Films) Written by Carlos Cuarón and Alfonso Cuarón
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Last edited by cthomer5000 : 02-11-2003 at 09:48 AM. |
02-11-2003, 09:46 AM | #3 |
Lethargic Hooligan
Join Date: Oct 2000
Location: hello kitty found my wallet at a big tent revival and returned it with all the cash missing
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The oscars usually seem to be based off pretentiousness.
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02-11-2003, 09:48 AM | #4 |
Hall Of Famer
Join Date: Apr 2002
Location: Back in Houston!
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Just... don't... care...
Pretentious old people, handing out gold bald men to movies no one saw and acting awards to actors/actresses in movies so painful they are dubbed "character" flix because they have no plot. SI
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02-11-2003, 09:56 AM | #5 |
The boy who cried Trout
Join Date: Oct 2000
Location: TX
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Well, at least LOTR: TT was nominated for best picture. Maybe ROTK will win it next year...sort of an achievement taco for Mr. Jackson. I'm not going to hold my breath, though.
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02-11-2003, 09:58 AM | #6 |
Hall Of Famer
Join Date: Apr 2002
Location: Back in Houston!
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From a friend of mine, who is "in the know" (i.e. his family is in the theater business and they win every Oscar pool imaginable)- apparently RotK is already slated to win next year- basically an award for all three movies- so don't try to win best picture next year.
SI
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02-11-2003, 10:04 AM | #7 |
lolzcat
Join Date: Oct 2000
Location: Annapolis, Md
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I'm disappointed that Adaptation received recognition only for the acting performances. The screenplay (adapted, of course) got a nod, and I think ought to be a serious player. I had hoped against hope that itmight be a surprise entry for Best Picture and Best Director. Alas.
We really need a "coolest movie" catgeory... where we can properly reward movies like The Crying Game, Pulp Fiction, Memento, and Adaptation. |
02-11-2003, 10:36 AM | #8 |
College Starter
Join Date: Oct 2001
Location: The Mad City, WI
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Woohoo! I didn't see a single movie on that list.
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02-11-2003, 10:44 AM | #9 |
Resident Curmudgeon
Join Date: Oct 2002
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To adapt from sterlingince:
Just... don't... care... Pretentious elitists and snobs, handing out gold bald men to movies no one saw and acting awards to actors/actresses in movies so painful they are dubbed "character" flix because they have no plot or any entertainment value whatsoever, despite they telling you are supposed to appreciate and fawn over such contrived charades and power brokering. LotR is probably the only exception. Does anyone else remember that article (I forgot where) that talked about the intense lobbying, manipulations and corruption that goes on in producing the list of nominees and the winners, as well? |
02-11-2003, 10:52 AM | #10 | |
College Starter
Join Date: Oct 2000
Location: Edmond, OK
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Re: Oscar nominations: thoughts?
Quote:
AGREED 100%. This was one of the most bloated, disjointed, and muddled pile of messes I've seen in quite some time. And this received a screenplay nomination?!? Director, maybe. I can see the beauty in the look of the film, and I certainly think that Day-Lewis deserves the nod. Every critic went nuts for this thing, though, and it was crap, a mediocre film at best. I'm very disappointed in this one. |
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02-11-2003, 11:07 AM | #11 | |
Coordinator
Join Date: Jan 2002
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Quote:
Did you notice that the nomination is for both Charlie and Donald Kaufman? Apparently, it's the first ever nomination for a fictional character. |
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02-11-2003, 11:09 AM | #12 | |
Strategy Moderator
Join Date: Nov 2001
Location: North Carolina
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Re: Re: Oscar nominations: thoughts?
Quote:
I pretty much agree with everyone that studio advertising has a TON to do with nominations, and the older I get the more disenchanted I've become with the Oscars. the bottom line is that the Oscars are one large advertisement for the movie industry itself (partiuclarly the major studios). Right off the bat we know that most independent films aren't seriously considered. An indie film might be able to snag an award here and there, but would never be seriously considered for something like best picture. Still, I guess I like to suspend disbelief and hope that the major studios will at least push their own best work. I tried very hard to like Gangs of New York, it just wasn't that great a movie. It had too much going in in terms of storyline, and was pretty much a mess. The fact that it was nominated for screenplay is absurd at best. Maybe if you take all the awards shows combined and look closely at them, you can get a true idea of the best work of the year. |
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02-11-2003, 11:10 AM | #13 | |
Strategy Moderator
Join Date: Nov 2001
Location: North Carolina
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Quote:
I'm actually pretty sure there's been one before. I remember reading about it when entertainment put out their oscar preview issue. |
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02-11-2003, 11:34 AM | #14 |
n00b
Join Date: Jan 2003
Location: Upstate, SC
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The actor that really stood out to me was Daniel Day-Lewis. He is my favorite villian, ever! He makes young, impressionable kids want to be ruthless jerks. Sweet!!
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