What? I haven't replied here in more than a year? That can't be right! Ok, where do we start. If anyone here is on Letterboxd, please me know, my reviews there are in Spanish and not larger than a tweet, but it would be nice to have some more people there. So I'm just going to copy and paste here. My last fifteen:
Haxan (1922) is a Swedish (kind-of) documentary, with a lot of things done well: special effects for a 100-year old movie are decent, the director won't think you are dumb and women's opression is also a part of it. But it shows some very nasty things for a 1920s film -- it was censored in USA for almost fifty years.
The Whole Nine Yards (2000), oh man. This has aged poorly. I think Bruce Willis is always good, but I just can't stand Matthew Perry. The movie kills its black character (Michael Clarke Duncan) without any reason, and that physical comedy is now cringey. Amanda Peet steals it just by smiling.
Finally, finally watched Starship Troopers (1997). So late to this, because it's a complete must watch. I think it is the right mix between propaganda, satire and even comedy, because it won't take itself seriously. That was key. Denise Richards has to be one of the worst actresses of the decade -- no competition.
The Unbearable Weight of Massive Talent (2022)! I was so excited for this. Cage himself is the one making fun of Cage, that is what makes it a big film and not a "straight to VOD" flick. I think the chemistry with Pascal is off the charts, and some moments made me laugh HARD. Tiffany Haddish is on my "can't stand" my list too, I don't find her funny at all.
The Sentinel (1977)... Oh. I wouldn't say it's based on Rosemary's Baby (1968), I would say it STEALS a lot from it, but I liked it even more. It has a distinct David Lynch aroma, and the cast is impressive: Ava Gardner, Burgess Meredith, Christopher Walker, Eli Wallach, even a young Jeff Goldblum. It reminded me a lot of Lucio Fulci's L'aldila / The Beyond (1981), so that can't be bad.
Watched Goodfellas (1990) for the third time after reading about Ray Liotta's passing. At this point, it's impossible to say something new about it, but it has the best voiceover ever, maybe? One of the best fourth wall breaks ever too? And it lasts twenty seconds, maybe less! Joe Pesci is immaculate... the Peter-Paul-Marie joke, I still laugh about it today.
Top Gun: Maverick (2022)... wow. My father doesn't go to the movies very often. I think the last time we went together was Ford vs. Ferrari (2020)? But as soon as he heard about this one, he asked me to go. It's pretty normal for about two minutes, because there's like an endless crescendo from the third minute and it won't let you breathe. We could make a case that it has the best flight sequences in history, and the CGI (if there's any) is perfect. Tom's smile will cure cancer and every disease in the world.
It's not easy to create a character without any grain of empathy, but The Sword of Doom (1966) does it. Tatsuya Nakadai completely steals this one, no remorse, his eyes are totally lost... and he will gradually go insane as the movie goes on. The last fifteen minutes are *chef's kiss*.
A Useful Life (2010) is an Uruguayan movie about a (very serious and respectable) man who loses his job at Uruguay's film archive and begins to look at life from a different perspective. He looks a lot like Alfred Molina, it's almost uncanny. It will remind you a lot about Truffaut and the French New Wave, and will also make you think about your cinephilia and why we like movies so much. Argentina doesn't have a film archive, so this one struck differently to me.
My girlfriend is a big fan of The Crow (1994) but I never watched it, so it was about time too. I think Brandon Lee made the movie his own, but its director (Alex Proyas, who made I, Robot and a lot of... questionable films) did OK here. The soundtrack is amazing and the photography is great too. Reminded me a lot of The Punisher (2004), with Thomas Jane and Travolta.
Went back to Transformers (2007) after a decade, probably. The visual effects back then were incredible, and I think it has some smart things, but some really cringey things too, but it holds up. After Dark of the Moon (2011) I was done, and I don't think I will come back, but Bumblebee (2018) was more than OK. I'm really excited about Rise of the Beasts (2023) though, I've always loved Beast Wars.
Bonnie and Clyde (1967) began a new era for Hollywood, and Warren Beatty and Faye Dunaway together were perfect. Maybe the first movie that made you worry about its "villains"? It features the first part of Gene Wilder's career, but man, so much banjo. Turn it down a little bit!
Ryuichi Sakamoto: Coda (2017) will take you through the entirety of Ryuichi's life. His beginnings with Yellow Magic Orchestra (think Kraftwerk, but in Japan); his battle against cancer (the movie was released before his throat cancer went into remission, but he was diagnosed with rectal cancer last year), and his entire process of composition, which is pretty much unique. Some of his works remind me a lot of Studio Ghibli films.
And last but not least, Female Trouble (1974). It was my first John Waters film; I watched a couple of interviews on YouTube, but that would not prepare me for what was coming. More than a Waters film, I think it was a showcase for Divine? To see what point she would reach? I haven't watched Pink Flamingos, but I've been told that it's even crazier. It was made for $25k, so this being part of Criterion's catalogue is nothing short but a miracle.

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