I think For Your Eyes Only is ranked highly because at the time it was seen as a return to a more serious tone compared to Moonraker and other Moore Bond films. Watching it now it doesn't quite have that effect, but I still enjoy it.
It feels like there are so many examples of the series moving in one direction and then back to the other in terms of the campiness and seriousness. The Living Daylights compared to A View To A Kill, Golden Eye compared to License To Kill, Casino Royale compared to the last Brosnan one, etc.
I've always thought the best ones post-Connery were the ones that balanced the two. The Spy Who Loved Me and both Dalton films being some of my favorites.

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