It doesn't, and that's why the show has EXCELLENT writing. Not every single word and every single scene in a TV show has to propel some part of the plot forward. Tyra's tryst was something that happens in small towns; that's it. Plus it does open the door to a pregnancy angle.
It was not depicted in the previews as a major character. It was depicted as a major event, and for that episode, it was a major event.
It was pretty obvious from the mother's reaction to Smash bringing up Dad that Mom has worked hard to suppress memories of the father, who clearly wasn't a candidate for Father of the Year. Dillon was playing at Gatling, which is where Smash and his family grew up and where his dad is buried. Wouldn't it make sense that the trip to Gatling would open old wounds?
What is there to do? Taylor stood his ground, and the OC backed off. The tension exists, and it may boil over later.
I agree on this one!
Seriously, though, does every plot line in your life resolve itself with a beginning, middle and end in perfect, logical progression? No. And neither does this show. That's one of the things that makes it so good. It's messy and disorderly at times, much like the life of a teen-ager in a small town.
So no, I don't think the writing is terrible in "Friday Night Lights." I think it's excellent, among the best on TV.
Take care,
PK
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